Blade Runner - Ebook written by Scott Bukatman. Read this book using Google Play Books app on your PC, android, iOS devices. Download for offline reading, highlight, bookmark or take notes while you read Blade Runner. Scott Bukatman is a cultural theorist and Professor of Film and Media Studies at Stanford University. His research explores how such popular media as film, comics, and animation mediate between new technologies and human perceptual and bodily experience. His books include Terminal Identity: The Virtual Subject in Postmodern Science Fiction, one of the earliest book-length studies of cyberculture; . Graced by stunning sets, lighting, effects, costumes and photography, Blade Runner succeeds brilliantly in depicting a world at once uncannily familiar and startlingly new. In his innovative and nuanced reading, Scott Bukatman details the making of Blade Runner and its steadily improving fortunes following its release in He situates the film in terms of debates about postmodernism, which have informed /5(32).
Bukatman's brilliantly succinct yet wide-ranging analysis of Blade Runner was published in and its reissue is timely: this year marks the 30th anniversary of Ridley Scott's immensely. Tile View. Blade Runner. Scott Bukatman. $ - $ Flame Wars: The Discourse of Cyberculture. Scott Bukatman. $ - $ Matters of Gravity: Special Effects and Supermen in the 20th Century. Scott Bukatman. Blade Runner. Published by The British Film Institute (August ). 96 pp. New edition, August Terminal Identity: The Virtual Subject in Postmodern Science Fiction. Duke University Press (June ). pp. Multiple printings. Bukatman p. 2 Scott Bukatman.
Scott Bukatman is a cultural theorist and Professor of Film and Media Studies at Stanford University. His research explores how such popular media as film, comics, and animation mediate between new technologies and human perceptual and bodily experience. His books include Terminal Identity: The Virtual Subject in Postmodern Science Fiction, one of the earliest book-length studies of cyberculture; a monograph on the film Blade Runner commissioned by the British Film Institute; and a. Bukatman's brilliantly succinct yet wide-ranging analysis of Blade Runner was published in and its reissue is timely: this year marks the 30th anniversary of Ridley Scott's immensely. Graced by stunning sets, lighting, effects, costumes and photography, Blade Runner succeeds brilliantly in depicting a world at once uncannily familiar and startlingly new. In his innovative and nuanced reading, Scott Bukatman details the making of Blade Runner and its steadily improving fortunes following its release in He situates the film in terms of debates about postmodernism, which have informed much of the criticism devoted to it, but argues that its tensions derive also from.
0コメント